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Kalimat Interogatif Dialek Gyeongsang dalam Reply 1997

Paradigma: Jurnal Kajian Budaya

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ISSN 2503-0868
2087-6017
 
Authentication Code dc
 
Title Statement Kalimat Interogatif Dialek Gyeongsang dalam Reply 1997
 
Added Entry - Uncontrolled Name Carlissa, Adinda Noviana
Adnyana, Putu Pramania
University of Indonesia
 
Uncontrolled Index Term Gyeongsang dialect; interrogative sentence; sentence-final ending; language style; Korean
 
Summary, etc. The Gyeongsang dialect is phonologically and morphologically unique, yet current research generally focuses only on its prosody characteristics. Research related to language style and sentence-final ending in the Gyeongsang dialect has received less attention. Therefore, this study focuses on sentence-final ending or jeongyeol eomi in Korean interrogative sentences to fill the research gap. This research is qualitative research with a descriptive analysis method. Data is collected from the Korean drama Reply 1997 from the first three episodes. The result shows that a closed-ended interrogative sentence is the type of interrogative sentence most commonly used in the data, while the most widely used language style is plain style (haerache). The use of question words in an interrogative sentence in the Gyeongsang dialect also determines the variation of sentence-final ending used. The sentence-final ending ended in [o] sound, such as -go, -no, must be used for an open-ended interrogative sentence with question words. Sentence final ending ended in [a] sound, such as -ga, -na, must be used for a close-ended interrogative sentence with no question words.
 
Publication, Distribution, Etc. Fakultas Ilmu Pengetahuan Budaya
 
Electronic Location and Access application/pdf
http://paradigma.ui.ac.id/index.php/paradigma/article/view/559
 
Data Source Entry Paradigma: Jurnal Kajian Budaya; Vol 12, No 1 (2022)
 
Language Note eng
 
Nonspecific Relationship Entry http://paradigma.ui.ac.id/index.php/paradigma/article/download/559/3400
 
Terms Governing Use and Reproduction Note Copyright (c) 2022 Paradigma: Jurnal Kajian Budaya
 


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