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Narsisme sebagai Wujud Eksistensi Diri dalam Novel “My Name is Red” Karya Orhan Pamuk

Paradigma: Jurnal Kajian Budaya

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ISSN 2503-0868
2087-6017
 
Authentication Code dc
 
Title Statement Narsisme sebagai Wujud Eksistensi Diri dalam Novel “My Name is Red” Karya Orhan Pamuk
 
Personal Name Irnawan, Raden Dibi
Fakultas Ilmu Pengetahuan Budaya, Universitas Indonesia
 
Uncontrolled Index Term Jurnal Paradigma; Paradigma; Jurnal Kajian Budaya; Socio-psychological perspective; narcism; repressive; acknowledgement; painting; Orhan Pamuk; Murat III; painting style; Islamic principles
 
Summary, etc. This paper discusses about socio-psychological dimension in paintings pictured in Orhan Pamuk’s novel My Name is Red. The novel shows us fi ne examples about how paintings can be a media of painters who lived in a repressive era of Sultan Murat III which established rigid rules adopted from Islamic principles of how a painting should be done. This idea manifested in the characters’ behaviour, especially Velijan Eff endi, who hold the Islamic or East principles, but dilemmatically fond of Western principles as an aesthetic way of painting. This kind of dilemma born from the presence of East and West principles intertwined in Turkey at the era pictured in the novel. Results determined that Velijan Eff endi is narcistic as a result of his needs to be acknowledged, to exist in his repressed life. He uses his paintings as the media of expressing his needs.
 
Publication, Distribution, Etc. Fakultas Ilmu Pengetahuan Budaya
 
Electronic Location and Access application/pdf
http://paradigma.ui.ac.id/index.php/paradigma/article/view/49
 
Data Source Entry Paradigma: Jurnal Kajian Budaya; Vol 4, No 2 (2014)
 
Language Note eng
 
Terms Governing Use and Reproduction Note Copyright (c) 2016 Paradigma, Jurnal Kajian Budaya
 


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