Habitus, Ngêng, dan Estetika Bunyi Mlèsèt dan Nggandhul pada Karawitan
Paradigma: Jurnal Kajian Budaya
View Archive InfoField | Value | |
ISSN |
2503-0868 2087-6017 |
|
Authentication Code |
dc |
|
Title Statement |
Habitus, Ngêng, dan Estetika Bunyi Mlèsèt dan Nggandhul pada Karawitan |
|
Added Entry - Uncontrolled Name |
Prasetya, Hanggar Budi Haryono, Timbul Simatupang, Lono L. Institut Seni Indonesia, Yogyakarta Fakultas Ilmu Budaya, Universitas Gadjah Mada Pasca Sarjana Universitas Gadjah Mada, Yogyakarta |
|
Uncontrolled Index Term |
Mleset; nggandul; ngeng; habitus |
|
Summary, etc. |
The paper explains about mlèsèt and nggandhul phenomena in the Javanese Karawitan in the perspective of Piere Bourdieu’s sociology of arts. The datas were collected through interviews with pengrawit,or gamelan players, and observation of gamelan played during the performance of Yogyakarta wayang.
The research shows that mlèsèt and nggandhul aresound aesthetics for the listeners and habitus of the gamelan players. Therefore, a gamelan player should possess his ngêng in order to precisely play the correct rhythm of mlèsèt and nggandhul.
|
|
Publication, Distribution, Etc. |
Fakultas Ilmu Pengetahuan Budaya |
|
Electronic Location and Access |
application/pdf http://paradigma.ui.ac.id/index.php/paradigma/article/view/11 |
|
Data Source Entry |
Paradigma: Jurnal Kajian Budaya; Vol 1, No 2 (2011) |
|
Language Note |
eng |
|
Terms Governing Use and Reproduction Note |
Copyright (c) 2016 Paradigma, Jurnal Kajian Budaya |
|