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Habitus, Ngêng, dan Estetika Bunyi Mlèsèt dan Nggandhul pada Karawitan

Paradigma: Jurnal Kajian Budaya

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Field Value
 
ISSN 2503-0868
2087-6017
 
Authentication Code dc
 
Title Statement Habitus, Ngêng, dan Estetika Bunyi Mlèsèt dan Nggandhul pada Karawitan
 
Added Entry - Uncontrolled Name Prasetya, Hanggar Budi
Haryono, Timbul
Simatupang, Lono L.
Institut Seni Indonesia, Yogyakarta
Fakultas Ilmu Budaya, Universitas Gadjah Mada
Pasca Sarjana Universitas Gadjah Mada, Yogyakarta
 
Uncontrolled Index Term Mleset; nggandul; ngeng; habitus
 
Summary, etc. The paper explains about mlèsèt and nggandhul phenomena in the Javanese Karawitan in the perspective of Piere Bourdieu’s sociology of arts. The datas were collected through interviews with pengrawit,or gamelan players, and observation of gamelan played during the performance of Yogyakarta wayang. The research shows that mlèsèt and nggandhul aresound aesthetics for the listeners and habitus of the gamelan players. Therefore, a gamelan player should possess his ngêng in order to precisely play the correct rhythm of mlèsèt and nggandhul.
 
Publication, Distribution, Etc. Fakultas Ilmu Pengetahuan Budaya
 
Electronic Location and Access application/pdf
http://paradigma.ui.ac.id/index.php/paradigma/article/view/11
 
Data Source Entry Paradigma: Jurnal Kajian Budaya; Vol 1, No 2 (2011)
 
Language Note eng
 
Terms Governing Use and Reproduction Note Copyright (c) 2016 Paradigma, Jurnal Kajian Budaya
 


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