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REPRESENTASI SIPIL-MILITER DAN KONSTRUKSI MASKULINITAS PADA FILM JENDERAL SOEDIRMAN (2015)

Paradigma: Jurnal Kajian Budaya

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ISSN 2503-0868
2087-6017
 
Authentication Code dc
 
Title Statement REPRESENTASI SIPIL-MILITER DAN KONSTRUKSI MASKULINITAS PADA FILM JENDERAL SOEDIRMAN (2015)
 
Added Entry - Uncontrolled Name Budiman, Hary Ganjar
Sofianto, Kunto
Fakultas Ilmu Budaya, Universitas Padjadjaran
Fakultas Ilmu Budaya, Universitas Padjadjaran
https://scholar.google.co.id/citations?user=GgToF7sAAAAJ&hl=en&oi=ao
 
Uncontrolled Index Term film; army; representation; masculinity
 
Summary, etc. Jenderal Soedirman (2015) is a historical film that reveals the story of General Soedirman during the guerrilla war to maintain the Indonesia’s independence. The film was sponsored directly by the army (Kartika Eka Paksi Foundation and TNI) and involved the army in its making process. Therefore, the historical representation of this film is a history from the army’s point of view. Referring to Gramsci, a film can be seen as a hegemonic apparatus that contributes to the process of negotiating the interests of dominant groups. This study attempted to elaborate such representations of civil-military relationships and masculinity construction contained in Jenderal Soedirman. It used a qualitative approach and employed the encoding/decoding paradigm proposed by Stuart Hall. The results showed that the civil-military relationships in this film were mostly dominated by military roles. Masculinity in this film was formed by combining the concept of “Kiai” (Muslim clerics) and military patriotism wrapped in Islamic expressions.
 
Publication, Distribution, Etc. Fakultas Ilmu Pengetahuan Budaya
 
Electronic Location and Access application/pdf
http://paradigma.ui.ac.id/index.php/paradigma/article/view/220
 
Data Source Entry Paradigma: Jurnal Kajian Budaya; Vol 8, No 2 (2018)
 
Language Note eng
 
Terms Governing Use and Reproduction Note Copyright (c) 2018 Paradigma, Jurnal Kajian Budaya
 


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